This is a policy that also involves increasing partnerships with cultural centres, especially in terms of exhibitions ( Degas at the Opera at the Orsay Museum or Opera in the 20th and 21st centuries at the Pompidou-Metz Centre),Īnd obviously, while the Paris Opera is set to celebrate a double anniversary in 2019 – 350 years since the creation of the Royal Academy of Music by Louis XIV on June 28, 1669, and 30 years of the Opéra Bastille, inaugurated in 1989 –, this dual celebration serves as a guiding thread for the Paris Opera's 2018-2019 season, presented by Stéphane Lissner at the Palais Garnier.Īs French opera is very much at the heart of the 2018-2019 season, the Paris Opera intends to showcase a very French repertoire. This is the reason for the creation of the Paris Opera's 3e Scène ("3rd Stage") – a digital, online edition of the opera that runs in parallel to the more tangible stages of the Palais Garnier and the Opéra Bastille. For all that, opera is obviously a distinctly living art form and since the beginning of his mandate at the head of the Parisian establishment, Stéphane Lissner has also been committed to contributing to updating the repertoire and has been working to diversify the cultural range of France's famous Opera. ![]() As a national opera, the Paris Opera has historically taken on the role of preserving France's operatic heritage and bringing French opera to life.
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